Dis Fela Sef!: He lives By Reuben Abati

Benson Idonije: Dis Fela Sef!: The Legend(s) Untold- A Memoir. Lagos; FESTAC BOOKS, 2016, 282 pp. On the occasion of his 80th birthday, B...




Benson Idonije: Dis Fela Sef!: The Legend(s) Untold- A Memoir. Lagos; FESTAC BOOKS, 2016, 282 pp.



On the occasion of his 80th birthday, Benson Idonije, who is arguably Nigeria’s most informed analyst of jazz music and an enthusiastic promoter of popular culture and music has released for public review and consideration an absolutely well-informed biography of Fela, the Afro-beat music maestro. The book is a useful contribution in my opinion. But the first thing I noticed- signposted by the copy sent to me, is how indeed, this particular publication appears to be a victim of the emergent crises of publishing in Africa in dispossessed economies. The copy sent to me is copyrighted 2014; on the cover it is described as a preview edition, scheduled for “official release: first quarter 2015”, the review copy doesn’t even have an ISBN number, there is no index and the bibliography is wrongly presented.

After more than 29 years of assessing manuscripts and editing/reviewing books, I assume that I can conveniently imagine what the author, printers and local publishers of this book must have gone through, the same challenges other book writers publishing in sub-Saharan Africa face at the moment: looking for money, getting good editors, looking for publishers, and hoping that there will be readers. But we must be glad, and Benson Idonije deserves to be congratulated, on his tenacity, in bringing out against all possible odds, a memoir as he correctly describes it, on Fela Anikulapo-Kuti, legend, maestro, counterculture hero, mystic, musician, philosopher, iconoclast, rebel, patriot and one of Africa’s most significant contributions to the world of art and music in the 20th century.

It is 2016, 19 years after Fela’s death, and here is a tribute of legends to the legend, a brilliant memoir, from a man who served as Fela’s first manager, beginning with the Jazz Quintet/Koola Lobitos in 1963/4, and who served him dutifully as a friend, colleague, fan and brother, and who has remained faithful to the legend(s) told and untold. With this book, Idonije fills many gaps, as participant-observer, as a ringside viewer and as a witness to the history of the making of a genius.

Many books have already been written about Fela from many perspectives. But the beauty of true genius is that it remains unfathomable, like an endless vortex, and in terms of identity, stands on its own terms. With his art, music, persona and impact, Fela has ascended to the level of such eponymous geniuses, recognized only on a first name basis: Homer, Shakespeare, Cervantes, Beethoven, Mozart, Chopin, etc: global treasures who do not need a second affirmation of identity. So, it is with such figures, that every other contribution extends the narrative of excellence, impactful tradition, and historicity.

And so it is with Benson Idonije’s memoir on Fela. There have been similar books of close encounters and relationships with Fela in his lifetime, by John Collins, Uwa Erhabor, Michael Veal, Carlos Moore, and Majemite Jaboro, and other publications, which through the authors’ encounter with Fela’s music and persona provide rigorous scholastic analysis. Idonije provides an informed analysis of Fela’s music in the context of the traditions of jazz, funk, soul music, highlife, rock, indigenous African music, blues, but the strongest parts of his memoir deal not with pretensions at intellectual deconstruction of form, melody, and rhythm, or lyrics, but with a ringside report of Fela as a total musician, and artiste.

This is where the strength and the originality of this book lies. Benson Idonije is a music critic, but he is probably incapable of deploying the jargons and the distracting terms of academic inquiry, and he does not struggle too hard in that direction. But he tells a story that humanizes Fela, focusing on his birth, his roots as a musician, including family influences, his formation, evolution, maturation and the transcendentalism of his genius. He does this as a man who was there. He does this as a brother, friend, critic, sounding board, and partner. He tells the story the way nobody else can, he has the helicopter view, the ringside view and the bedroom view: the book tells stories for example of how Idonije’s one room habitat served as Fela’s “slaughter slab” for besotted female fans, and his witness to Fela’s emergence as a sex and marijuana symbol, made possible by the notorious women who came into his life, who also helped to grow his art.

Fela’s genius borders on illuminant insanity. Idonije reveals, much better than any previous biographer, the making of Fela, and the near-magical progression of this genius: his DNA as ineluctable determinism, his beginnings as pianist and rebel in his secondary school days, his objection to convention, command and control even as a staff of the Nigerian Broadcasting Corporation, his growth and odyssey, the influence of his mother and brothers and the rest of the family, real and acquired, his borderless nationalism and his politics of protest which resulted in many runs-in with the establishment, 199 arrests by the police, incarceration, humiliation, harassment of his Kalakuta shrine and Republic, and his life of sex and marijuana, then his death and impact after death. Some of these themes from his birth in 1938 till his death in August 1997, have been dealt with at great length in other accounts. Idonije takes the narrative further, revealing and extending the narrative about a man who became a legend before his very eyes, and with whom he shared secrets and private experiences, made possible only by trust and mutual respect, an island of friendship and intimacy unknown to outsiders. This then, is not a book of research; it is an original testimony, presented in absolute good faith.

Some of those other things Idonije brings afresh to the table are refreshing insider details about Fela’s essence, his relationship with music producers, his band, recording companies, the very nature of his life as a committed artist and professional, his rigorous originality, self-assuredness, assertiveness, pride, courage and perpetual preparedness to raise art above commerce. He tells the story of Fela’s musically odyssey, and the story is not just about Fela, but the evolution of the band, from Koola Lobitos to Egypt ‘80, and after, and how ideology, exposure and influences created the enigma, the genius and the music that became Fela. Idonije deconstructs the genius, not as a mystically delivered entity, but as an essence that grew through training, hardwork, perspiration, originality, influences, musical, ideological and political, and whose being-ness and truthfulness provided a template for the lifetime and post-humous evolution of a style, example and tradition. He proves in the end how the originality of genius survives all sorts of threats: physical, socio-political and contrived.

In painting this picture, Idonije delicately manages sentimental assessment and although he is a sympathetic biographer, he shuns hagiography. It is obvious that he is not impressed by Fela’s latter-day embrace of marijuana, which he avoided in his earlier years, or the mysticism and love of spirits that drove him into illusions and paranoia, but on this subject, Idonije treads very carefully, refusing to pass judgments that could damage the legend. He is after all, a protective biographer, so protective he also treats Fela’s misogyny lightly even if he ends up reinforcing the received belief that for Fela, a woman is at best a sex object, and sex a source of spiritual reinforcement. He further says a lot about other members of the band, the gifted members of the ensemble and the non-musician members of YAP, MOP, area boys support groups, media executives and lawyers whose contributions and individual talents made Fela possible. Fela thus, emerging not as an individual artist stricto senso, but as a movement, as philosophy, as an idea, as institution, as the sum of total artistry, as leader of an orchestra, indeed as phenomenon.

Idonije’s participant-observer and first-hand analyst status also provides him the opportunity to write a story that goes beyond Fela to cover the highlife scenes of Nigeria and Ghana in the 60s and 70s, and the collaboration and rivalry among the various emerging stars, their influences and styles and the character of the musical audiences and trends in Ghana and Nigeria which had corresponding impact on the taste and tone of the social and cultural landscape. From Fela to the present, there has been so much that has changed in that landscape, many of the commercially successful artistes of the time have vanished into oblivion and irrelevance, but Fela lives because of the originality of his art and musicianship. Miles Davis, one of the many influences on Fela has been reported as saying “Fela is the future of music”.

Idonije’s account establishes just exactly how true this is: his continuing impact and the endlessness of his relevance. But as the book shows, there can only be one Fela: an artist with conscience, who was an objective product of his encounters and experiences, a true professional who found his own voice and mission, an avatar whose talent became a political and social weapon for protecting, defending and leading the poor and the disadvantaged against the evils of corruption and irresponsible leadership.

Idonije despite the humility he declares in his preface aspires, quite obviously, to produce a definitive, comprehensive book as he struggles to cover all the grounds, but he is smart enough to acknowledge that his account certainly cannot be the “last word”. He observes poignantly that whereas the international community has always admired and honoured Fela, the attitude to his art by the central Nigerian government, from the military to the civilian administrations, has been one of disregard, with perhaps the exception of the Lagos state government, which sponsored the creation of a Fela museum. Fela’s post-humous presence on Broadway and the growth of Felaism as creed and tradition is a victorious talk-back, an act of defiance, from the grave by a true artist whose example defined the true nature of the art of commitment, contextually and sub-textually.

Idonije and Fela referred to each other as “Oyejo”: a bastardization of the Yoruba phrase“Oya e joo” inevitably mangled, during a performance visit to Nigeria by Dizzy Gillespie, trying to connect with his back up team of illiterate Yoruba drummers. Fela was not an original fan of Gillespie, due to his aversion to the mixing of jazz with showmanship, but intellectual interaction with Idonije encouraged Fela to appreciate Gillespie’s original skills, and the product was an eventual number titled “Oyejo”, a part-tribute as it were. The picture Idonije paints through narratives such as this, is that of Fela as an open-minded, broadminded artiste who drew influences and inspiration from just about any possible source: duty boys, managers, producers, bedroom partners and so on but who at all times knew what he wanted, and called his own shots. Benson Idonije writes a part of his own biography in telling his friend’s story but unlike some other biographers before him, he does not over-project himself and he does not upstage the legend.

This is a book that should benefit from further projection and the attention of the reading public. Unlike Gillespie in that particular linguistically challenged account, Fela, alive and in death, needs not say “Oya e joo.” His art has located him concretely in the mainstream along with the giants including Dizzy Gillespie himself and others. This book, indeed, is a truly worthy contribution: In Fela’s voice, “everybody say yeah, yeah.”

COMMENTS

InfoLinks

Name

#IstandWithBolaTinubu,1,#LindaIkeji,2,#Oshadipe,2,$28,1,10 facts from yester years.,1,1960BET,3,2011 ELECTION IN NIGERIA,1,2019 election.,1,5 Signs To Spot non-Ogbanje Girlfriend.,1,500,1,9jaSAFE Award,1,A VISIT TO A DENTIST IN GLASGOW,1,Abbey Paseda,1,AbikeDabiri,2,Abiola Ajimobi.,1,Abubakar Adam Ibrahim,1,Abuna Yemata Guh,1,Abundant Nigeria Renewal Party,1,AdebayoShittu,2,Adeboye,1,Adenike Khadijat Oluboyo.,1,Adeola Soetan.,2,ADMISSION SCANDAL ROCKS FGC IJANIKIN LAGOS.,1,ADP,1,Advanced Political Climatology,1,Advanced Political Climatology APC 307,1,African Development Bank Internship Program 2019,1,African journalism.,2,African restaurant in Scotland.,1,AfroGrams Ilesa,1,AhmadiyyaCentenary,1,AhmadiyyaMuslimCommunityGlasgow,3,Aisha DaniaOgieriakhi,1,AishaBuhari,2,AjibikeAbike,1,Ajimobi,3,Akinwunmi Ambode.,2,Akogun Olugbenga Omole,1,Akon,1,Akute-Alagbole,1,Alao Akala.,1,Alao Fadda.,1,Alhaji Ibrahim Adesina Adeyemi,3,ALISTAIR DARLING,1,Alistair Soyode,1,Alpha Beta,1,AlphaZero,1,Ambassador George Adesola Oguntade,1,Amber Rudd,1,Ambode,1,Amitolu Shittu.,1,AMOPE,1,AN OPEN LETTER TO GOD,1,An open letter to Late Ken Saro-Wiwa,1,AN OPEN LETTER TO MADAM LADITO,1,AN OPEN LETTER TO PROFESSOR ADAM ADEBAYO LASISI,1,Andela.,1,AnnaJames,1,ANRP,2,Anthony Joshua.,2,APC,9,APC 3017,1,APC KADUNA,1,APC307,2,ARIK AIR,1,Armedrobbery,1,Article50.,1,Arts exhibitions in Lagos NIGERIA.Terra Kulture.,1,ASO ROCK,1,ASSASSINATION,1,AsylumSeekers,1,AtikuAbubakar,2,Austin Okai,1,Autobiography.,1,Awolowo.,1,AyodeleFayose,1,BabaAyangba,1,Babalaje of Okofaji,1,Babatunde Gbadamosi,1,Babatunde Jose,1,Badoo cult,1,Basketmouth,1,Bayelsa,1,BDSF,1,Beko Ransome-Kuti,1,Benjamin Olowodola,1,BenTV,1,Biafra,1,Biafra.,1,Bike accident,1,Bill Cosby,1,BirthdayBonanza,1,BishopOyedepo,1,BisiAlimi,1,BitCoin,1,Black Ladder,1,Blogging,2,BLUE BABY SUPPORT INITIATIVE,2,Bobby Fischer,1,BobDylan,1,BobMarley,1,BOG,2,BOG Whistle-Blower,1,Boko Haram,4,BokoHaram,1,Bolanle Sobowale,1,BolaTinubu,4,Boris Johnson,1,Boss Gida Mustapha.,1,Bosun Emmanuel,1,Boundary of friendship,1,Boxing career,1,Brain-Dead President,1,Brain-dead racists,1,Breaking News in Chemistry,1,Breaking The Wall Of Silence,1,Brexit,4,Brexit in AFRICA,1,Bros Kongi @ 83,1,BROS KONGI @ 84,1,Buchi Emecheta.,1,Buhari,10,Buhari.,1,BuhariBiography,2,Buharists,1,Cambridge Analytica,2,CANADA,2,CarAccident,1,Carlos Takam,1,CBN,1,CCNA,1,Channels TV,1,Charles Mulli,1,Chatham House.,1,Chelsea Football Club,1,Chess,7,Chess in Nigeria,3,Chibokschoolgirls,2,Chief ABC,1,Chief Imam of Lagos,1,ChildAbuse,3,ChildBrideMarriage,2,China,1,China and Africans.,1,Chinua Achebe,1,Chris Grayling,1,CHRIST EMBASSY CHURCH,1,Christianity,2,Christians,1,CISCO,1,colon cancer.,1,Come To Nigeria magazine.,1,Comedian,1,Commonwealth countries.,1,Commonwealth media internship,2,ComputerVillage.,1,Congo,1,Corruption,1,CovenantUniversity,1,Critics,1,Cultism,1,CyberCrime,2,Cyril Ramaphosa,1,D.O Fagunwa,1,Daddy G.O of Nigerian Blogosphere.,1,Damian Green,1,Dangote,1,Daniel Aramide,1,Danku,1,Dare Lasisi,2,Darren Osborne,1,DAVID CAMERON,1,DavidMark,1,DAYO OLOMU FOUNDATION UK,1,Deborah Quickpen,1,DeleAlake,1,DELETING PEOPLE ON FACEBOOK.,1,DEPARTMENT OF GEOGRAPHY,1,Depression,1,Dino Melaye.,1,DNA TEST,2,Domestic Violence in Nigeria,1,Don Vaney,1,Don't disturb the King,1,DonaldTrump,3,Dotun Ajegbile,3,Dotun Oladipupo,1,DR BARU.,1,Dr Frederick Fasehun,1,Dr Joe Okei-Odumakin,1,Dr Raphael James,1,Dr.Joe Okei-Odumakin,1,DSS,1,DSTV,1,Dubai Chess Opens 2019,1,Ebola,2,Echoes of Jagunmólú,1,Edinburgh Kidnappers,1,Edinburgh Zoo,1,EFCC,5,Egunmogaji,1,Egunmogaji Blogger.,1,EkitiState,1,El-Rufai,1,Embargo on Cyber-begging.,1,Emir of Okuta,1,EmirKatsina,1,Emmanuel Chidubem,1,Eniola Ajao,1,ENVY,1,ERHUVWU BEAUTY OBIREH,1,Ese Oruru,1,Estonia.,1,Et tu Oyegun,1,Ethiopia,1,Ethiopian Airlines.,1,ETISALAT,2,EVANS,1,Fabiano Caruana,1,Facebook,1,Facebook scam,1,Falz,1,Famine,1,FaniKayode,1,FatlasImpressions,1,February 17,1,FELA ANIKULAPO-KUTI,2,FELA KUTI,3,FELABRATION IN LONDON.,1,Fellowships for students,1,Femi Falana,1,FemiAdesina,1,Festus Keyamo,1,FIDE,1,FidelCastro,2,First Class ABIYAMO,1,Flashback to dark days,1,Focus on Disability Charity,1,FOMWAN,1,football.,1,For Pius Adesanmi,1,For Southern Kaduna,1,Frank Nweke Jr,1,Fraud,2,Fraud.,1,FRC,1,Free £10,1,FreeBOGNow.,2,FreePress,1,Fresh FM Ibadan,1,Fuji Music,1,Fulani herdsmen killings in NIGERIA.,1,FUNAAB,1,FUTA,1,Gani Fawehinmi Scholarships.,1,Gani Fawehinmi @ 80,1,GaniRad,1,GariumSulphate,1,Garri,1,GayWedding,1,GbengaDaniel,1,GEJ@60,1,George Weah,1,GetInvolvedNow,1,GHANA,1,Gina Miller,1,Glasgow,4,Glasgow Library,1,Glasgow Music concert,1,Glasgow stories.,1,GOCOP,1,Goje,1,GOK GBOSA,1,GoodluckJonathan,4,Google NIGERIA,1,Google.,2,GoogleCrackdown,1,GORDON BROWN,1,Grammy.,1,Green Card,2,Gun violence in London.,1,Guru Maharaji,1,HabibaIsa,1,Hajj 2018,1,Harvey Weinstein,1,HATE CRIME,1,Hate Speech,1,Health Matters,1,Hillary Clinton.,2,Holy King,1,Holy King of the rock,1,Homosexuality,1,Hugh Hefner,1,Human rights in Nigeria,1,Humanity,1,Humanside on chess board.,1,I hate Poetry.,1,IbadanTragedy,1,Ibikunle Amosun,1,ICTUniversity,1,Igbo Irunmale,1,Igbo Olodumare,1,IMF,1,IMPORTANT TIPS FOR DELETING PEOPLE ON FACEBOOK.,1,INCREDIBLE JUNK STORIES FROM YESTER YEARS.,1,IndianGarri,1,Indyref2,1,InfoTech,2,Innoson Motors,1,Inside Molue,1,Internet fraud.,1,InternetOfThings,1,Inviterite,1,IPC102,1,iPhones,1,Iran.,1,Iriri Oyibo,1,ISHAYABAMAIYI,1,Islam,5,Islam in Nigeria.,1,Islam.,2,IT professionals.,1,IT.,1,Italy 26,1,James Bond.,1,James Ibori,3,Jen Miller.,1,Jenreviews,1,JimiAgbaje,2,Jimoh Ibrahim,1,Jo Cox,1,JohnPaden,2,JONATHAN,2,Journalism,1,Juju,1,June 12,1,June 12 struggles,1,JUNE 8.,1,Kaduna.,1,Kashamu,1,Kashamu Buruji.,1,KatsinaState,1,Kazu Ishiguro,1,KEMI ADEOSUN,2,Kemi Olunloyo,1,Ken Saro-Wiwa,1,Ken Saro-Wiwa Jr,1,Ken Saro-Wiwa.Shell BP,1,Kenya orphanages,1,Kidneys,1,KING OF ASO ROCK,1,Kudirat Abiola,1,Kufre Uwem,1,Kurdish People,1,Kwara state crimes.,1,Kwara state.,1,Lagos,3,Lagos Police,1,Lagos state,1,Lagos2015,1,LagosLife,1,Lasisi Oluboyo,1,LASTMA,1,Latin language,1,LAUTECH,1,Leicester,1,LEKAN FATODU,1,Lekki,1,LET'S SAY NO TO SUICIDE,2,Liberia,1,Libraries in Nigeria.,1,LindaIkeji,1,Literature,1,Liu Xiaobo,1,LIVING IN FOREIGN LAND IS NOT SO CHEAP,1,London sexual assault,1,London stories,1,London Terror Attack,1,LondonScandal,1,LOVE IN CANCUN,1,LTV,1,Lucky Oboh,2,Madam Ladito,1,Madness from Chatham House.,1,MagnusCarlsen,5,Mahfouz Adedimeji,1,Mama Gani Philosophy,1,Mama Gani.,2,Mama Taraba.,1,Mamoudou Gassama,1,Manchester Attack,1,Manchester Terrorism,1,Markaz Agege,1,MarkZuckerberg,2,Mary Magdalene,1,Maryam Mirzakhani,1,Mathematics Genius,1,Mayflower Ikenne.,1,MC OLUOMO,1,MDP,1,Me and my secret children.,1,Media,1,MedView Airline,1,MEET THE NIGERIAN PRINCESS OF CHESS,1,Meghan Markle,1,Mendel University.,1,Meningitis outbreak,1,MFM,1,MikeOmeri,1,military dictatorship,1,MindYourLanguage,1,Ministry of Health.,1,MKO Abiola.,1,MMM,2,Modern Democratic Party,1,Modiu Olaguro.,1,MOJI OLAIYA,1,MoneyLaundering,1,Monica Osagie.,1,Morgan Tsvangirai,1,Morocco,1,MPC LEKKI,1,MR ORIOLA,1,MSc Scholarship at Uppsala University,1,Mufti Menk,1,Muhammadu Buhari,4,Mully Children's Family,1,Muslims,1,My Burden,1,My first trip to London,1,My Golden moment,1,My Mother,1,MY NYSC EXPERIENCE IN NIGER STATE,1,My Pen,1,My Power,1,My Random London Yabis,1,My Telephone Rules,1,My Troubled childhood As A Schoolboy.,1,My World,1,MyStory,1,N.A LASISI,1,NAFDAC,1,Naija BBQ Glasgow,1,NASFAT UK&IRELAND,1,Nasir El-Rufai,3,National Conscience Party.,1,Naughty Professor,1,NCC,1,NDLEA,1,NICK CLEGG,1,Nicola Sturgeon,2,Niger Delta,1,Nigeria,24,Nigeria High Commission.,1,Nigeria Village Square,1,Nigeria.,6,Nigeria.Tourism,1,Nigerian airports,1,Nigerian boxer,1,Nigerian Community Scotland,1,Nigerian Journalism,1,Nigerian passports,1,Nigerian politics,1,Nigerian Property Market,1,NIGERIAN WOMEN,1,NigerianMuslims,1,NigerianPassport,1,Nigerians and Hypocrisy,1,Nigerians in Chinese prisons,1,Nigerians in Scotland.,2,NigerianWriters,1,NLNG Award,1,NnamdiKanu,2,NNPC,1,NOA,1,Nobel Peace Prize.,1,NobelPrize,1,NOKIA 3310,1,Nollywood,2,Northern Ireland,1,Nottinghill carnival,1,NTDC,2,NYSC,6,NYSC EXEMPTION CERTIFICATE.,1,OAU sex scandal,1,Obafemi Awolowo University.,1,Obama,1,ObasanjoHilltop,1,Offa armed robbery,2,Offa Tragedy,1,Ogoni,1,Ogoni 9.,2,Okey Ndibe,1,Olalekan Lawal.,3,Olatunji Adedeji Odusan,1,OLISA METUH,1,Olubadan,2,Oludare Buraimoh,1,Oluwafemi Balogun,1,OmoniyiIbietan,1,Omoyele Sowore,1,Omoyele Sowore Town Hall Meeting in London.,1,Ondo state,1,OnlinePublishers,1,Onukaba,1,Ooni,1,OPC.,1,Ope Bademosi.,1,OPEN LETTER TO OGA MADAM,1,Oracle of scammer,1,Oracle of the cyberworld,1,Oran Mor.,1,Orebro University Scholarships.,1,Osinbajo,1,OtunbaGbengaDaniel.AdebolaDaniel,1,Oyo State,2,OZUBULU MASSACRE,1,Paddypaddybet,2,Pastor Adeboye,1,Pastor Joshua Shonubi,1,Pastor Victor Ajisafe,1,PastorRabalago,1,PaternityCrisis,1,Paul Moore,1,PayingEvilWithKindness,1,PAYLATER APP.,1,PAYPAL DONATIONS.,1,PDP,4,PDP.,1,PDP.APC.,2,Pepper-soup joint Glasgow.,2,PERMISSION TO FORGE AHEAD.,1,phone hackers,1,Pius Adebola Adesanmi,1,Plagiarism,2,PLAGIARISTS ARE SHAMELESS THIEVES!,1,PLEURAL EFFUSION,1,Police,1,Politics,1,Postage stamps in Nigeria.,1,PowerOfBook,1,Prayer City.,1,PressFreedom,1,Primary school early start,1,Prince Adelaja Adeoye,1,Prince Harry,1,PrinceAdemola Adeniji-Adele,1,PrinceOfHope,1,Prof Adebayo Adedeji,1,Prof Richard Akindele,1,Professor ADAM.,1,Professor Adebayo Adedeji,1,Professor Kingsley Chiedu Moghalu,1,PROFESSOR ORIOLA,1,Professor Sulyman Agenyo AbdulKareem,1,ProfPaden,1,PSN,1,PTDF,1,Qatar,1,Queen's University Belfast,1,RAAAF,1,Racism in Glasgow,1,Ramadan,2,Rape,2,Rasheed Gbadamosi,1,REBRANDING MY BLOGGING,1,Recession,1,Redeemer's University,1,religions in Nigeria.,1,Reno Omokri,1,ReubenAbati,2,Revd.Mother Esther Abimbola Ajayi.,1,Rhoyale Priesthood Food & Groceries UK LTD.,1,Richard Akindele,2,Rilwan Adesoji,1,Rio Ferdinand,1,RiversOfBlood,1,Robert Mugabe,1,Roger Moore,1,Room56.,1,Rotimi Akeredolu,1,Rotimi Makinde,1,RotimiAmaechi,1,Royston Glasgow.,1,Rwanda,1,Sahara Reporters,1,Sajod Javid,1,Sallah,2,SallyMbanefo,2,Salute to the Garium Sulphate!,1,Sani Abacha,2,Saudi Arabia,1,Scholarships for African students.,2,Scholarships in SCOTLAND,1,Scholarships.,1,SCOTLAND,8,SCOTLAND LAFESTA,1,SCOTLAND.,1,Scotland. OpenDay 2017,1,Scotland's indyref2,1,Scottish inventors,1,Segun Adelugba,1,Segun Onibiyo,1,Senator Ademola Adeleke,1,Senator KAKA,1,Seun Kuti,1,SeunEgbegbe,2,SEX SCANDAL,1,ShamelessNaijaWomen,1,Sheikh Abdullah Adam El-Ilory,1,Sheikh Adam Abdulahi Al-Ilory,1,Sheikh Garuba Akinola Ibrahim,1,Sheikh Muhydeen Ajani Bello,1,Shreyas Royal,1,Sickle cell,1,Sierra Leone tragedy,1,Sikiru Ayinde Barrister,1,Silhouette of Conscience,1,SonnyOkosun.,1,South Africa,1,Southern Kaduna,2,Soyinka.Amaechi,1,Stamford Bridge.,1,Starvation.,1,Stay Healthy,1,Stella,4,Stephen Hawking,1,Stockfish,1,StrangeFacts,1,Suicide.,1,Sule Lamido,1,Sultan of African Satire,1,Super Falcons,1,SwedishAcademy,1,Syrian crisis,1,Tai Solarin,1,TaiSolarin,1,Talking Dolls,1,Terrorism,1,TERRORISM.,1,The difference between a resume and a CV?,1,THE FALL OF A KING,1,The Flying King,1,THE GHOST MARKET WOMAN,1,the haunted lady,2,The Haunted Lady.,2,The Monitor.,1,The Narrow Escape,1,THE POWER OF A CURSE,1,The Trial of Brother Jagunmolu,1,The Trial of Brother Jagunmolu.,1,The Unknown Thief,1,The Yale Young African Scholars Program 2019,1,TheRangerApp,2,Theresa May,1,TheresaMay.,6,This is Nigeria.,1,Tinubu,1,Titanic Museum Belfast,1,Tony Elumelu,1,Tony Ezimakor,1,TSTV,1,TuFace Idibia,1,Tunde Bakare,2,Turkey,1,TY Danjuma Foundation,1,Tyler Dooley.,1,UCH,1,UCL,1,UK GENERAL ELECTION,1,UK libraries,1,UK Politics,2,UK.,1,UKdeportation,1,UKPolitics,1,Ulster Museum.,1,Umaru YarAdua,1,UNILAG,2,UNILORIN,5,UniMaid,1,UniSambisa,1,University of Dundee,2,University of Glasgow.,1,University of Ilorin,2,University of Ilorin.Centre for Peace and Strategic Studies,1,University of Sambisa,1,University Of Stirling,2,University of Strathclyde,1,University of Tartu,1,UNKNOWN GUNMEN,1,UoS.,1,US Elections,1,US Lotto Jackpot,1,USA,1,UtakoMarketAbuja.,1,Victor Olabisi Onabanjo,1,Video Contest Scholarship,1,VP Yemi Osinbajo.,1,Wailing for the future,2,WailingWailers,2,Wande George,1,Wike.,1,Windrush scandal,1,Winnie Mandela,1,Wole Soyinka,8,Women Arise,1,World cup 2018 in Russia.,1,WTM,1,Xodus,1,Yahya Jammeh,1,Yemi OSINBAJO,2,Yinka Ayefele,1,Yinka Odumakin,1,Yinusa Owolabi Ramon,1,YPP.,1,Yusuf Buhari,2,Zahra Buhari.,1,Zambian cement,1,Zimbabwe,1,Zukabaga,1,Zulu Sofola.,1,
ltr
item
Welcome to Dare Lasisi's blog!: Dis Fela Sef!: He lives By Reuben Abati
Dis Fela Sef!: He lives By Reuben Abati
Welcome to Dare Lasisi's blog!
http://www.darelasisi.co.uk/2016/06/dis-fela-sef-he-lives-by-reuben-abati.html
http://www.darelasisi.co.uk/
http://www.darelasisi.co.uk/
http://www.darelasisi.co.uk/2016/06/dis-fela-sef-he-lives-by-reuben-abati.html
true
622867813627327551
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy