The bleaching, chameleon crowd By Reuben Abati

I wrote a piece recently, a tribute to the late veteran actress Bukky Ajayi and the multi-instrumentalist OJB Jezreel, in which I raised a...












I wrote a piece recently, a tribute to the late veteran actress Bukky Ajayi and the multi-instrumentalist OJB Jezreel, in which I raised a number of issues, including how in Nollywood today, there is an obsession with the whitening of skin, an anti-Negritude yellowing, what I referred to as “the bleaching, chameleon crowd of Nollywood beauties.” The various reactions to the piece conveniently ignored this subject; two young ladies who felt that I was probing an unpopular theme drew my attention to this. I was reminded that being light-skinned is now the in-thing, indeed the socially acceptable norm, because there is now a universalization of the concept of beauty and self-esteem.




The more light-skinned you are, the more acceptable you are in various circumstances, that is. I thought if this was true, then it is a tragedy indeed for the black world. For, once upon a time in the history of the black race, being black was a thing of joy and an instrument of protest. When Jesse Evans gave the black salute at the 1939 Olympics, after winning four gold medals, he was making a racially loaded statement about black pride and achievement. Sojourner Truth, Rosa Parks, Frederick Douglass, Martin Luther King, Malcolm X, Elijah Muhammad, Muhammad Ali are key historical figures in the struggle for the black identity in the United States not to talk of various moments and efforts culminating in the Obama phenomenon eight years ago.




None of these historical figures would ever have contemplated a globalized notion of beauty and self-esteem, which superiorizes and imposes the idea of being white in 2016, and for same to be validated by blacks, living in the black world’s most populous country- Nigeria. Closer home, the independence struggles across Africa were fuelled by ideas of racial pride, and indeed in the 1960s, the coalescing of that around the negritude movement projected confidence and faith in the black colour, the people’s culture and identity. To be added to this is the expressed faith that black people all over the world can contribute meaningfully and significantly to the march of human history. Being black was nothing to be ashamed of. Cultural workers used their art and narratives to promote black culture.




Writers identified with their natal roots. James Ngugi for example, became Ngugi wa Thio’ngo. Albert Achebe dropped his Albert and became Chinua Achebe. Wole Soyinka argued that “a tiger does not proclaim its tigritude”; it should act and in his writings, he proved the point. Black activists like W.E.B. DuBois left the United States and traced their roots to Africa. But today, the grandchildren and great-grandchildren of that movement are turning back the hand of the clock. They want to be white! They may in the long run constitute a minority, but artificial beauty is a growing trend among black people. I was once asked to buy Brazilian hair, during a trip to Brazil. I went dutifully to a shopping mall asking for Brazilian hair.




Nobody could figure out what I wanted. Brazilian hair is what a lot of Nigerian women wear, or attach to their natural hair to achieve the effect of a straight, Oyinbo-ish hair and to hide their own natural, curly hair. It took me two days of trying to buy Brazilian hair in Brazil before it occurred to me that Brazilian women are not likely to be selling Brazilian hair in their own country since in any case, every one of them is born with it. But here in Nigeria, Brazilian hair is a big deal: it is one of those items a bridegroom must budget for, otherwise, no wedding and I understand, this could be in the range of N350, 000 per hair. The final cost could also be determined by the adopted style: normal leave-out, closure or frontal, all designed to create an artificial effect. Even the eyelashes you see on our ladies these days may not be real: eyeballs are replaced with contact lenses, and there is a new craze now called eyebrow wig: a wig on the eyebrow!




The new global culture of beauty has also imposed on our women what is called acrylic nails, or plastic nails. With those cat-like nails, women find it difficult to wear sanitary pads, jewellery, button their shirts, eat dollops of swallow with their hands, type on their phones or wash clothes and plates, and yet every young lady out there is wearing strange nails in the name of beauty.




Check out the faces too. Make up has been turned into such an art of deception; you could marry your ex-girlfriend and not know she is the one because she has changed colour, changed face and changed everything about her. Make-up and making up are associated with success, but it is pure 419 as many may have discovered. Women talk about laying a foundation on their faces as if they are bricklayers, they also talk about contouring and highlighting the face to look different: the effect is that every ugly girl is contoured and highlighted to become a stunning beauty. We are also in the age of breast implants, breast reconstruction, liposuction, pumping of bum-bum and lip lightening (there is cream method or peeling with machine!) and the use of body pads and slimming girdles and all kinds of borrowed gadgets to make a woman look prettier than she is.




The idea of the “African Queen” celebrated over the years, and more famously by Tu Face Idibia in a song of the same title has thus undergone a transformation. Women and men (yes men also) in Africa’s most populous black nation, and quite a significant number, are all struggling to become either light-skinned or copy the Kadarshian/Kanye West effect. I have been made to understand that in Nollywood for example, dark-skinned actors and actresses are ignored by producers: they say they don’t look good on camera and that only light skinned actors sell movies. So, there is a marketing side to it but it must be crazy if true. Celebrities are also expected to be glamorous all the time. This is why public figures don’t step out of their homes or take pictures unless they are properly made up. And to worsen the story, I am told you need to look clean, and fresh to be considered successful and the black colour does not project success.




Here we are confronted with many men and women who are bleaching their skins, to look fresh and successful. The prostitution angle to it is buried in the argument that men are naturally attracted to light-skinned ladies. And it is a big industry, one of the most lucrative businesses in Nigeria today. The minimum cost of a bleaching cream is N15, 000 per week. These include Egyptian milk, Arabian milk, Snow White and steroid creams like Movate, which is used to bleach the scalp. Yes, the scalp! They bleach the scalp too. There is also a bleaching tablet, which costs as much as $500; four tablets are usually taken per dose. Some people opt for what is called bleaching injection to peel off the melanin, and one injection is a tidy N250, 000. There are special creams for old women and men with resistant skin, at higher cost. The madness is across all age brackets, and may God help you if you have a bleaching wife or girlfriend.




I am not making this up. The various creams and services are hawked daily at Ikeja roundabout, under the bridge. The merchants also advertise tattooing, hips enlargement, penis enlargement and breast reconstruction services. And in Yaba, Lagos, you’d find the biggest cosmetics store run by a certain Mama Tega who is said to be the oldest and the most trusted in the business. The irony is that she, herself, is interestingly dark-complexioned! The girls who work for her and her patrons are not.




The stress and risks involved in bleaching and looking white by all means possible are so much, but the people involved do not care. The knuckles and the lips do not bleach easily, so people go about looking patched up and they have to buy a different chemical to lighten their knuckles, elbows and knees. The side effect of the chemicals used includes bad body odour and stretch marks, the skin is thinner and more sensitive, and the chemicals expose the person to enormous health risks. It is also a lot of work. If you are bleaching your skin, you have to use the cream everyday, morning and night. If you miss the cream for a week, you’d look different, and you have to stick to the same supplier and mixture: so much needless stress.




I am aware that every individual is entitled to a freedom of choice including the choice to look the way they want. But I see the spread of a bleaching culture as a display of so much insecurity and lack of self-esteem, and an assault on the legacy of all the men and women who fought and are still fighting to ensure that black identity matters. It is also shocking that many mothers are now in the habit of introducing their children to bleaching creams very early. They don’t want dark-skinned daughters and sons! And the ones who fail to do this feel terribly embarrassed when they are photographed with their children and the skin colours do not match. Check family photographs these days. And worry about the many ladies out there living a life of pretense engaged in “coded waka runs” (euphemism for underground prostitution) just so they can buy skin whitening creams.




This is a sad story about the way we now live, even as I recall the antiphonal lyrics of James Brown’s “Say it Loud – I’m Black and Proud” (1968) - one of the greatest songs of all time. In Nigeria’s entertainment industry today, being black is almost a taboo. The women want to look like Kim Kardashian and the men seem to think that to be a celebrity is to be light-skinned. In the larger society, a “faworaja” (fake appearance) culture is on the rise. The people are deliberately re-colonizing themselves mentally and physically. What can anyone say to such persons who are ashamed of their own identity? I speak for myself: “I’m Black and Proud”. But even if I wan bleach sef, I black so tay, cream go finish for market…

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